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DAIKAN|Milan Design Week 2026
Return to...—A Multisensory Installation Presented at Milan Design Week 2026,Return to...is a multisensory installation exploring human awakening.Beginning with vision, perception unfolds into sound, touch, scent, and taste. Centered on the FLUX TABLE, whose mirror-polished surface moves like liquid,the space invites a gradual deepening of the senses. In the realm of scent, the work proposes an experience of “listening,”revealing the connections between material, time, and human presence within Japanese craftsmanship. CONCEPT|Listening to Scent Japanese craftsmanship does not begin by controlling materials,but by listening to the presence that resides within them. Iron, stone, and living beings exist within the same continuum,resonating and interconnected. Scent is not only something to smell,but something to listen to. By receiving the subtle resonance of materials through human sensibility,and refining them through careful handwork,a quiet spirit comes to dwell within the creation. This project reframes scent as a medium through which the unseen can be perceived. APPROACH|Olfactory Translation of Material and Time The installation introduces two fragrances that articulate the relationship between material, time,and human intervention within Japanese making. SCENT 1Ame-no-Mikage-no-Mikoto—Memory of Stone Perfumer: SARIBlend: Crystal (Nagano / Himalaya / Awaji Island), Frankincense (Oman)Fragrance compounds extracted through a specialized method from mineral materials. The crystals sourced from Nagano, the Himalayas, and Awaji Island were each distilled at a time suggested by the stone itself:dusk for Nagano, night for the Himalayas, and a full-moon night for Awaji Island.Though all are crystals, each carries a distinct resonance shaped by land, light, and memory. This fragrance is named afterAme-no-Mikage-no-Mikoto,the Shinto deity of metallurgy and blacksmithing. It evokes the origin of making—the moment when stone meets fire, becomes iron,and is shaped through human hands. Formed through earth, water, light, and vast spans of time,stone exists within the same continuum as life and human creation. A subtle note of frankincense acts as a quiet invocation,gently revealing the presence inherent within the material. SCENT 2Memory of Iron and Beast—Resonance of Life Perfumer: Hiroyuki TairaBlend: Green leaf, Cypress, Light wax, Civet, Burnt leather, Metal note, Patchouli, Animal base, Amber A nameless presence emerges from the earth. Green leaf and cypress outline life breathing freely within the landscape,while light wax suggests the warmth and density of a living body. The atmosphere then shifts. Civet and burnt leather mark a moment of rupture,as the cold resonance of metalreveals human intention—distant, yet decisive. And yet, life does not disappear. Returning to the earth through patchouli,amber and animal notes linger,indicating a presence that continues beyond form. Life is not extinguished,but transformed—resonating through different states of existence. This fragrance allows the audience to listento the intersection of iron and life. OUTCOME|From Sensory Experience to Perception of Continuity The installation has expanded perception beyond visual aesthetics,engaging visitors in a multisensory awareness of connection. The two fragrances are not conceived as opposites,but as expressions within a continuous cycle—from life to earth, from earth to stone, from stone to iron,and back into the conditions that sustain life.
WORK STYLING — Mitsui Fudosan
WORK STYLING is expanding a new model of workplace across Japan, built around the idea of working with genuine fulfilment. We designed an olfactory branding programme to carry the values of that brand directly to the senses of the people who work within its spaces.
TSUNAGU x KANSEI Design
AOAO SAPPORO
TRIBUS
Seiwa Business
PARK WELLSTATE – NISHIAZABU
TRC
GRAPHY SHIBUYA
Benefit Line
MIRURU